{"id":12405,"date":"2025-05-08T08:01:20","date_gmt":"2025-05-08T08:01:20","guid":{"rendered":"https:\/\/romeinternational.it\/en\/?post_type=mec-events&#038;p=12405"},"modified":"2025-05-08T08:01:21","modified_gmt":"2025-05-08T08:01:21","slug":"personal-exhibition-of-anthea-hamilton-soft-you","status":"publish","type":"mec-events","link":"https:\/\/romeinternational.it\/en\/events\/personal-exhibition-of-anthea-hamilton-soft-you\/","title":{"rendered":"Personal exhibition of Anthea Hamilton &#8211; Soft You"},"content":{"rendered":"\n<p>The Memmo Foundation presents <strong>Soft You<\/strong>, the first institutional exhibition in <strong>Rome by artist Anthea Hamilton<\/strong>. Curated by Alessio Antoniolli the exhibition is open to the public from Thursday, May 8 to Sunday, Nov. 2, 2025.<\/p>\n\n\n\n<p>Hamilton&#8217;s practice places installation, sculpture, film and performance in dialogue to rework visual content belonging to the dominant culture, investigated through a subjective lens that suggests a shift in perception. With immersive installations and environments, the artist presents a reality in which gender roles, sexuality, domesticity, and diverse cultural traditions are explored as fluid and ever-changing notions.<\/p>\n\n\n\n<p>Soft You, whose title is borrowed from Othello&#8217;s last soliloquy in Shakespeare, redefines three pivotal points in Hamilton&#8217;s research: the Shakespearean protagonist, the city of Rome, and the artist&#8217;s own practice. Beginning with Othello: A Play, the stage performance created in 2024 in collaboration with Delphine Gaborit for the De Singel art center (Antwerp), the exhibition further expands the performative possibilities of Hamilton&#8217;s sculptural and installation research.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Memmo Foundation presents Soft You, the first institutional exhibition in Rome by artist Anthea Hamilton. Curated by Alessio Antoniolli the exhibition is open to the public from Thursday, May 8 to Sunday, Nov. 2, 2025. Hamilton&#8217;s practice places installation, sculpture, film and performance in dialogue to rework visual content belonging to the dominant culture, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":12406,"comment_status":"closed","ping_status":"closed","template":"","tags":[147,5],"mec_category":[10],"class_list":{"0":"post-12405","1":"mec-events","2":"type-mec-events","3":"status-publish","4":"has-post-thumbnail","6":"tag-art","7":"tag-featured","8":"mec_category-exhibitions"},"_links":{"self":[{"href":"https:\/\/romeinternational.it\/en\/wp-json\/wp\/v2\/mec-events\/12405","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/romeinternational.it\/en\/wp-json\/wp\/v2\/mec-events"}],"about":[{"href":"https:\/\/romeinternational.it\/en\/wp-json\/wp\/v2\/types\/mec-events"}],"author":[{"embeddable":true,"href":"https:\/\/romeinternational.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/romeinternational.it\/en\/wp-json\/wp\/v2\/comments?post=12405"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/romeinternational.it\/en\/wp-json\/wp\/v2\/media\/12406"}],"wp:attachment":[{"href":"https:\/\/romeinternational.it\/en\/wp-json\/wp\/v2\/media?parent=12405"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/romeinternational.it\/en\/wp-json\/wp\/v2\/tags?post=12405"},{"taxonomy":"mec_category","embeddable":true,"href":"https:\/\/romeinternational.it\/en\/wp-json\/wp\/v2\/mec_category?post=12405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}